Boston Globe 8/7/14: Playwright who grew up in Wayland work-shopping at Vokes. Writing plays is exhausting. When a playwright finishes a work, the anxiety and complexities begin. Can I get the play staged? Will audiences like it? Is this really my calling? That’s what Judith Pratt faced when she finished “The Wright Place.” She felt she had told an interesting story, “sparked by an event in my own life,” but before she could get the play staged, she needed the feedback that only actors and an audience could provide.